The Nation - Video of the opening by Yoshiko I. Wada of the exhibition "mnemonikos: Art of Memory in Contemporary Textiles" at the Jim Thompson Art Center Museum, Bangkok
Guest curator Yoshiko Iwamoto Wada opens the exhibition and presents some works - in the background Wax by Guo-xiang YUAN, on the left Rooibos Teabag Dress by Mascha Mioni
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textile forum 2/2012 - book review "vor der Kamera von Carlos Rieder - Textile Art Mascha Mioni"
Editor-in-chief Beatrijs Sterk reviews the 4th Art to Wear book of Mascha Mioni's creations in the art magazine textile forum
"... In the introductory text the art-critic Marianne Mittelholzer emphasizes, that the art of Mascha Mioni consists of balancing the virtuosic mastery of technique and the inspired presentation of thoughts, feelings and visions."
textile forum 2/2012, S. 46
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Introduction to the exposition in Taos by Marie Moore, Apple Inc.
....The juxtaposition of hard concrete and transparent glass serves to remind me of the human condition—how we all have a hard exterior at times, but also a radiant soul that can shine through. ....Mascha’s work leaves us to wonder about what is not there, and encourages us to seek a deeper and less obvious understanding. Her work, like Larry’s, has a beautiful transparency, and she masterfully incorporates elements from the natural environment. ....
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Tempo Magazine / Taos News on the exposition Mascha Mioni and Lawrence McLaughlin in Taos
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Mascha Mioni in the journal "ETHOS: Dialogues in Philosophy and Social Sciences"
Asst. Prof. at İZMİR DEMOKRASİ ÜNİVERSİTESİ, Dr. Goezde Yetmen, writes in her essay in the journal "ETHOS: Dialogues in Philosophy and Social Sciences" on Wearable Art on p. 79f:
"... For example, Miyake's work "Mutant Pleats" suggested pleats in next season's fashion design trends. (Koda, 2004, p. 93) Like Miyake's "Mutant Pleats"
Tim Harding's "Oaks", Mascha Mioni's "Drache-Shibori" and recently "Body Skin and Hair" and "Perfect Hurts" by Sandra Backlund. Its effects on designs are unquestionably accepted. (Sterk, 2005, p.29), (Duncan, 2002, p. 124)
and p. 81:
"... Many of the Wearable Artworks are to be viewed and understood as works of art, not to be worn. Today's important representatives are Jorie Johnson, Tim Harding, Mascha
Mioni, Galya Rosenfeld, Sandra Backlund. ..."
(Translated by the webmaster from the attached original Turkish essay using Google Translate)